VISFOT’ REVIEW

Visfot by White Feather Films is a suspenseful film. A well-educated and morally decent young guy, Shoeb (Fardeen Khan) works as a cab driver in Bombay. He is a young guy from the lower middle class who must care for his ailing mother, Sheeba Chaddha. Shoeb intends to wed Lucky (Krystle D'Souza), whom he adores. A pilot named Akash (Ritesh Deshmukh) lives with his wife Tara (Priya Bapat) and little son Parth, also known as Pubby (Prithviraj Sarnaik). When Akash finds out that Tara and Javed (Arjun Aneja) are dating, he is startled. He really captures the two in a hotel room.

By a strange twist of destiny, Shoeb is compelled to use Pubby to demand money from Akash and Tara once he arrives at his home. Why is Shoeb, who is open and honest, going down the extortion route? Does he have someone else playing with him? Does he get the Rs. 2 crore that he is requesting? Can Akash and Tara make the outrageous financial arrangements that Shoeb is requesting? Will Tara and Akash be reunited with their son? With whom does Tara end up sharing her life?

Piedra Papel O Tijera, a Venezuelan film, served as the inspiration for the movie. Despite the fact that there is no relationship between the two spouses, Hussain Dalal and Abbas Dalal have scripted an intriguing tale in which their lives collide. Particularly in the first half, when the viewer is in for a series of shocks, their script moves quickly. The drama keeps the audience interested even if the pacing slows down a little in the second half. The climax moves quickly once again. The speech between the two is perfectly suited and fits in nicely with the characters' mouthing.

Ritesh Deshmukh portrays himself as the parent and pilot-husband in a very positive light. Although Fardeen Khan doesn't exactly resemble a taxi driver, he does a fantastic job playing Shoeb. As Tara, Priya Bapat is beautiful. As Lucky, Krystle D'Zouza performs flawlessly. As Shoeb's mother, Sheeba Chaddha does a fantastic job. As Acid Tai, Seema Biswas is a scary character. As Manya, Nachiket Purnapatre gives an outstanding performance. As Javed, Arjun Aneja holds his own. As Sagar, Ayaz Khan makes an impression. As Shreya, Neha Pednekar provides good assistance. Altaf, played by Vivaan Parashar, has his moments. As Fernandes, Purnendu Bhattacharya is doing well. The character of Waghmare is well played by Satyajeet Kadam. As Peter, Tejas Gaikwad leaves his imprint. As Cyrus, the café manager, Saransh Taneja is charming. As Pubby, often known as Parth, Prithviraj Sarnaik is a natural. As excellent as Mehmood is Arhan Khan. Abhijit Ghadge (as Ravi) and Raj Shekhar Chandran (as Bala) are fine. Indra Mansukhani (as the Christian woman), Adarsh Bharti (as the Khabri child), and the rest are suitable.

The directing of Kookie Gulati is excellent. The audience is kept interested in the proceedings by his narrative. The music of Amjad Nadeem Aamir is not bad. Amjad Nadeem's lyrics are passable. The choreography by Anasua Chowdhary is decent. The background music by Amar Mohile is nice. Shikhar Bhatnagar's camera work is excellent. The action and acrobatics performed by Javed Karim are appropriately exhilarating. The production design by Sneha Bhandare is appropriate. The editing of Manish More is very excellent.