Pad Gaye Pange Review

Pad Gaye Pange (UA) by Prachi Films and Utter Action is positioned as a comedy. Rajesh Sharma plays Shastri, a math instructor who is retired. Cancer has been detected in both him and his former pupil, Ayush (Samarpan Singh). Depressed, Ayush robs a bank to give his math instructor money so he may purchase a home for his son and daughter-in-law. And what happens if it turns out that none of them has cancer?

The narrative written by Manish Kumar may have some humor, but it is so absurd that not even the humorous parts make you chuckle. It seems as if Ayush and Shastri are the only ones with cancer. They also think that once they pass away, their scam would be accepted. In other words, they don't even consider the possibility that the apartment may be seized (after they pass away) due to the fact that it was bought using illicit money. After learning that they are cancer-free, they once again choose to commit crimes without considering the repercussions. In summary, the two seem to be so unintelligent that it isn't amusing. Manish Kumar wrote an absurd and childish script that is in keeping with the story's absurdity. Nothing in the drama is really compelling or logical. The author virtually promotes the idea that if a murderer is approaching death, they can get away with it. Some of Manish Kumar's dialogue is humorous.

Ayush is played fairly by Samarpan Singh. Shastri is played well by Rajesh Sharma. As bad as Charu is Varsha Rekhate. For Jaggu, Rajesh Yadav is adequate. In the part of Captain Jahaaz Singh, Rajpal Yadav leaves his imprint with his comedic style. Bhaiyyaji, played by Faisal Malik, is a success. Chandan Gill, Shivam Sharma, Hina Batra, Arjuna Bhalla, and Sukhdev Barnala provide regular assistance.

Santosh Kumar is a boring director. Tarun Rishi and Dhawal Tandon's music falls short of expectations. The lyrics by Bhupendra Singh and Akrita Shrivastava are hardly worthy of being mentioned separately. The choreography of Shaiman is practical. I like the background music by Dhawal Tandon. The photography of Pratap Rout is mediocre. The editing of Pawan Kainth is not tight.

Even if the front-benchers find some humor in Pad Gaye Pange, the program is mostly a mess.